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I picture this timing most likely established during the Palladium age however I haven't verified that. Eddie Torres began instructing and popularizing this timing beginning in the 1980's, from what I understand. He was mentored by the late June Laberta, a ballroom dancing educator, that assisted him develop his technique and timing.

The tale I'm continually informed here, that still requires more examination, is that as salsa began reaching brand-new target markets beyond the Caribbean and New York City, it was much easier and a lot more user-friendly to educate cultural outsiders to dance On1 as opposed to On2. This story does not account for the truth that I've listened to Rueda de Casino site was originally danced a tiempo On3 in Cuba.

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Salsa On1 is just one of different salsa timings you can dance to and it is one of the most usual timing you'll locate in the globe today. Salsa On1 timing interpretation: "On1" means you start dancing on the first beat of the bar of music the 1. Your break steps (direction changes) get on beats 1 and 5.

The exemptions I have actually located up until now, where On2 is most usual, would certainly be around New york city and in South Korea (Salsa Dance San Francisco). I'm certain there are various other locations that dance mostly On2 yet I have not danced in every nation yet! If you're not certain what timing is most usual where you live, ask your local dance studio

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When a person states "I dance salsa On1" they probably suggest "I dance direct style salsa On1" (although you can dance any kind of style of salsa On1, people generally indicate linear design). Don't stress if you have actually said these points previously, it's all excellent all of us have! The essential point is to bear in mind there's a difference in between style and timing and grow your understanding so you can be much more exact when discussing salsa with your close friends.

It links perfectly with the phrasing in the songs, especially the piano, and other percussion instruments like the cow bell and giro. Timing and design are two different points, so separate the ideas when you speak concerning salsa with your buddies. No matter of what timing is most usual in your region of the world, remember you can technically dance any kind of style of salsa to any type of timing discover and enjoy!

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There is an initial mambo dancing that came from Cuba and after that spread to Mexico and New York in the 40s and 50s, these days when somebody says "I dance mambo" they imply salsa On2, which is different than the original mambo dancing. The occasional free-from actions of the original mambo were danced solo.

As the dancing started to spread, On1 timing started to become preferred. Salsa On2 interpretation: "On2" suggests you begin dancing on the very first beat of the bar of music the 2.

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A lot of dancers take pleasure in dancing On2 for the varied means you can connect to the music. Child cubano is the songs and dancing that came before mambo and salsa.

It links well to the clave, bass and conga - Salsa San Francisco. Cha-cha is much like dancing On2 contratiempo however you include the three-way action on 4 and 8. Although danced to the very same beats as On1, your break steps are now on 2 and 6, which changes the feel of the dance.

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This timing is virtually the same to contratiempo On2 yet the actions that are generally on 4 and 8 are on 4. It's virtually like a timing in between a tiempo and contratiempo.

5 instead of 5) you're dancing this syncopated timing. In reality it appears it's often danced as kind of a "mistake" for any person dancing the previous two timings.

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As stated previously, this was the very first interpretation of dance on clave (kid clave), where the Puerto Ricans would align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The concept is to line up as numerous steps of your standard as possible with the strikes of the son clave.

The thing concerning songs and dance is that there is no right or wrong. There is simply interpretation. You can dance on any timing you such as! Naturally, individuals have found a means to dance on nearly every timing possible to boy and salsa music. Individuals dance On3 for the exact same reason you dance On1 due to the fact that it highlights the strong beats of 1-3-5-7.

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Let's check out the beats you dance On1 to: -2-, -6- (solid beats are in strong) Allow's look at the beats you dance On3 to: -4-, -8- (solid beats remain in bold) Notice just how the strong beats are spaced precisely the very same for On1 and On3? All you do is start stepping On3 rather than On1.

That's why dancing On3 is so typical in Latin America. Individuals either Attempt to dance On1 but start stepping On3 by crash and it exercises just fine, or They don't understand much regarding timing and are simply interpreting what they hear in the music, based on their experience maturing in a culture with salsa.